{"id":20,"date":"2021-09-26T11:33:46","date_gmt":"2021-09-26T11:33:46","guid":{"rendered":"https:\/\/traumtext2022.de\/?page_id=20"},"modified":"2023-11-17T07:39:30","modified_gmt":"2023-11-17T06:39:30","slug":"traumtext2022","status":"publish","type":"page","link":"https:\/\/traumtext2022.de\/","title":{"rendered":"traumtext2022"},"content":{"rendered":"\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ffff00\" class=\"has-inline-color\">TRAUMTEXT OKTOBER 1995<\/mark>. Ein Text von Heiner M\u00fcller, geschrieben kurz vor seinem Tod. Als Faksimile in der Drucksache 17 des Berliner Ensembles erstmals ver\u00f6ffentlicht, bildet er das Ausgangsmaterial des H\u00f6rst\u00fcckes\u00a0<mark style=\"background-color:rgba(0, 0, 0, 0);color:#ffff00\" class=\"has-inline-color\">TRAUMTEXT2022<\/mark>. Die Eingriffe in den Text sind sichtbar, die handschriftlich revidierten Schreibmaschinenseiten gleichen einer Landschaft, die es in all ihren Besonderheiten zu entdecken gilt. Wie bei einer Expedition durchquert\u00a0<mark style=\"background-color:rgba(0, 0, 0, 0);color:#ffff00\" class=\"has-inline-color\">TRAUMTEXT2022<\/mark>\u00a0diese Textlandschaft, sp\u00fcrt Schreibweisen, Streichungen und Korrekturen nach, erkundet Gro\u00dfbuchstaben und Satzzeichen, und legt rhythmische und strukturelle Schichten frei.\u00a0<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"audiotheme-embed\"><iframe loading=\"lazy\" title=\"TRAUMTEXT2022 | TRAILER\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/x1kJqntHx4Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:67px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/traumtext2022.de\/wp-content\/uploads\/2023\/03\/Alex-Nowitz-@-Olga-Kovalevska-1024x768.jpg\" alt=\"\" class=\"wp-image-360\" srcset=\"https:\/\/traumtext2022.de\/wp-content\/uploads\/2023\/03\/Alex-Nowitz-@-Olga-Kovalevska-1024x768.jpg 1024w, https:\/\/traumtext2022.de\/wp-content\/uploads\/2023\/03\/Alex-Nowitz-@-Olga-Kovalevska-300x225.jpg 300w, https:\/\/traumtext2022.de\/wp-content\/uploads\/2023\/03\/Alex-Nowitz-@-Olga-Kovalevska-768x576.jpg 768w, https:\/\/traumtext2022.de\/wp-content\/uploads\/2023\/03\/Alex-Nowitz-@-Olga-Kovalevska-1536x1152.jpg 1536w, https:\/\/traumtext2022.de\/wp-content\/uploads\/2023\/03\/Alex-Nowitz-@-Olga-Kovalevska-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/traumtext2022.de\/wp-content\/uploads\/2023\/03\/Juergen-Kupke-@-Olga-Kovalevska-1024x768.jpg\" alt=\"\" class=\"wp-image-362\" srcset=\"https:\/\/traumtext2022.de\/wp-content\/uploads\/2023\/03\/Juergen-Kupke-@-Olga-Kovalevska-1024x768.jpg 1024w, https:\/\/traumtext2022.de\/wp-content\/uploads\/2023\/03\/Juergen-Kupke-@-Olga-Kovalevska-300x225.jpg 300w, https:\/\/traumtext2022.de\/wp-content\/uploads\/2023\/03\/Juergen-Kupke-@-Olga-Kovalevska-768x576.jpg 768w, https:\/\/traumtext2022.de\/wp-content\/uploads\/2023\/03\/Juergen-Kupke-@-Olga-Kovalevska-1536x1152.jpg 1536w, https:\/\/traumtext2022.de\/wp-content\/uploads\/2023\/03\/Juergen-Kupke-@-Olga-Kovalevska-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/traumtext2022.de\/wp-content\/uploads\/2023\/03\/Nicolas-Schulze-@-Olga-Kovalevska-1024x768.jpg\" alt=\"\" class=\"wp-image-363\" srcset=\"https:\/\/traumtext2022.de\/wp-content\/uploads\/2023\/03\/Nicolas-Schulze-@-Olga-Kovalevska-1024x768.jpg 1024w, https:\/\/traumtext2022.de\/wp-content\/uploads\/2023\/03\/Nicolas-Schulze-@-Olga-Kovalevska-300x225.jpg 300w, https:\/\/traumtext2022.de\/wp-content\/uploads\/2023\/03\/Nicolas-Schulze-@-Olga-Kovalevska-768x576.jpg 768w, https:\/\/traumtext2022.de\/wp-content\/uploads\/2023\/03\/Nicolas-Schulze-@-Olga-Kovalevska-1536x1152.jpg 1536w, https:\/\/traumtext2022.de\/wp-content\/uploads\/2023\/03\/Nicolas-Schulze-@-Olga-Kovalevska-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/traumtext2022.de\/wp-content\/uploads\/2023\/03\/Thorsten-Mueller-@-Olga-Kovalevska-1024x768.jpg\" alt=\"\" class=\"wp-image-364\" srcset=\"https:\/\/traumtext2022.de\/wp-content\/uploads\/2023\/03\/Thorsten-Mueller-@-Olga-Kovalevska-1024x768.jpg 1024w, https:\/\/traumtext2022.de\/wp-content\/uploads\/2023\/03\/Thorsten-Mueller-@-Olga-Kovalevska-300x225.jpg 300w, https:\/\/traumtext2022.de\/wp-content\/uploads\/2023\/03\/Thorsten-Mueller-@-Olga-Kovalevska-768x576.jpg 768w, https:\/\/traumtext2022.de\/wp-content\/uploads\/2023\/03\/Thorsten-Mueller-@-Olga-Kovalevska-1536x1152.jpg 1536w, https:\/\/traumtext2022.de\/wp-content\/uploads\/2023\/03\/Thorsten-Mueller-@-Olga-Kovalevska-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center has-medium-font-size\"><a href=\"https:\/\/nowitz.de\" target=\"_blank\" rel=\"noreferrer noopener\">Alex Nowitz<\/a> | Stimme<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center has-medium-font-size\"><a href=\"https:\/\/www.juergenkupke.de\" target=\"_blank\" rel=\"noreferrer noopener\">J\u00fcrgen Kupke<\/a> | Klarinette<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center has-medium-font-size\"><a href=\"http:\/\/www.nicolasschulze.de\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolas Schulze<\/a> | Fender Rhodes<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center has-medium-font-size\"><a href=\"https:\/\/thorstenm\u00fcller.de\" target=\"_blank\" rel=\"noreferrer noopener\">Thorsten M\u00fcller<\/a> | Bassklarinette<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\">H\u00d6RST\u00dcCK und PERFORMANCE<\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\">UA am Sa 17.09.2022 | 60min | Konzeption \u00a9 Thorsten M\u00fcller<\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\">Direkt im Anschluss der Film <mark style=\"background-color:rgba(0, 0, 0, 0);color:#ffff00\" class=\"has-inline-color\">ICH WILL NICHT WISSEN, WER ICH BIN &#8211; HEINER M\u00dcLLER<\/mark> von Christoph R\u00fcter<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\">Weitere Auff\u00fchrungen: Gastspiel beim 29. Internationalen Theaterfestival <mark style=\"background-color:rgba(0, 0, 0, 0);color:#ffff00\" class=\"has-inline-color\">UNIDRAM<\/mark> <\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\">Mit freundlicher Genehmigung des <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ffff00\" class=\"has-inline-color\">henschel SCHAUSPIEL<\/mark><\/mark> Theaterverlags Berlin<\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\">Gef\u00f6rdert durch die Landeshauptstadt Potsdam im Rahmen des Potsdamer Kultursommers 2022 <mark style=\"background-color:rgba(0, 0, 0, 0);color:#ffff00\" class=\"has-inline-color\">ALL\u00dcBERALL<\/mark><\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\">Caf\u00e9 hausZwei | auf dem&nbsp;freiLAND&nbsp;|&nbsp;Friedrich-Engels-Stra\u00dfe 22 | 14473 Potsdam<\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\">Fotos \u00a9&nbsp;Olga Kovalevska | <mark style=\"background-color:rgba(0, 0, 0, 0);color:#ffff00\" class=\"has-inline-color\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ffff00\" class=\"has-inline-color\">Urban Lys<\/mark><\/mark><\/p>\n\n\n\n<div style=\"height:36px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"108\" src=\"https:\/\/traumtext2022.de\/wp-content\/uploads\/2022\/08\/logo.png\" alt=\"\" class=\"wp-image-294\" style=\"width:154px;height:83px\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><a href=\"https:\/\/www.field-notes.berlin\/de\/festivals\/89082\/monat-der-zeitgenssischen-musik\/89083\/festival\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"526\" src=\"https:\/\/traumtext2022.de\/wp-content\/uploads\/2022\/06\/MZM_Logo_M_L_schwarz_RGB-1024x526.jpg\" alt=\"\" class=\"wp-image-226\" style=\"width:154px;height:79px\" srcset=\"https:\/\/traumtext2022.de\/wp-content\/uploads\/2022\/06\/MZM_Logo_M_L_schwarz_RGB-1024x526.jpg 1024w, https:\/\/traumtext2022.de\/wp-content\/uploads\/2022\/06\/MZM_Logo_M_L_schwarz_RGB-300x154.jpg 300w, https:\/\/traumtext2022.de\/wp-content\/uploads\/2022\/06\/MZM_Logo_M_L_schwarz_RGB-768x394.jpg 768w, https:\/\/traumtext2022.de\/wp-content\/uploads\/2022\/06\/MZM_Logo_M_L_schwarz_RGB.jpg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>TRAUMTEXT OKTOBER 1995. Ein Text von Heiner M\u00fcller, geschrieben kurz vor seinem Tod. Als Faksimile in der Drucksache 17 des Berliner Ensembles erstmals ver\u00f6ffentlicht, bildet er das Ausgangsmaterial des H\u00f6rst\u00fcckes\u00a0TRAUMTEXT2022. Die Eingriffe in den Text sind sichtbar, die handschriftlich revidierten Schreibmaschinenseiten gleichen einer Landschaft, die es in all ihren Besonderheiten zu entdecken gilt. Wie bei [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-20","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>traumtext2022 - traumtext2022<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/traumtext2022.de\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"traumtext2022 - traumtext2022\" \/>\n<meta property=\"og:description\" content=\"TRAUMTEXT OKTOBER 1995. Ein Text von Heiner M\u00fcller, geschrieben kurz vor seinem Tod. Als Faksimile in der Drucksache 17 des Berliner Ensembles erstmals ver\u00f6ffentlicht, bildet er das Ausgangsmaterial des H\u00f6rst\u00fcckes\u00a0TRAUMTEXT2022. Die Eingriffe in den Text sind sichtbar, die handschriftlich revidierten Schreibmaschinenseiten gleichen einer Landschaft, die es in all ihren Besonderheiten zu entdecken gilt. 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Ein Text von Heiner M\u00fcller, geschrieben kurz vor seinem Tod. Als Faksimile in der Drucksache 17 des Berliner Ensembles erstmals ver\u00f6ffentlicht, bildet er das Ausgangsmaterial des H\u00f6rst\u00fcckes\u00a0TRAUMTEXT2022. Die Eingriffe in den Text sind sichtbar, die handschriftlich revidierten Schreibmaschinenseiten gleichen einer Landschaft, die es in all ihren Besonderheiten zu entdecken gilt. 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